Юридическая консультация онлайн
На главную
Результаты поиска “Где получать полис медицинского страхования в железнодорожном”
В Костроме открываются центры доступной медицинской помощи
 
03:21
В Костроме открывают кабинеты «врача общей практики». И, как заверяют власти, об очередях в регистратуру пациенты наконец-то смогут забыть. Помимо терапевтов и педиатров, в новых центрах ведут прием и узкие специалисты. Кабинеты медпомощи заработали в самых густонаселенных районах, где не хватает участковых врачей. О результатах проекта – наш корреспондент Антон Гуськов: Когда четырехлетней Алисе потребовалась стандартная справка, что она здорова и может посещать детский сад, отец девочки приготовился к худшему. Все знают, какими бывают очереди к участковому в поликлинике. Но мучительно ждать не пришлось. На прием семья записалась, не выходя из дома, по телефону, а осмотр и получение справки заняли пятнадцать минут. Платить деньги за комфорт не потребовалось, да и ехать далеко не пришлось — прогулялись пешком до соседней улицы. Денис Блок, отец Алисы Блок: «Оказалось, есть такая клиника, где можно пройти бесплатно по полису ОМС, и с уровнем обслуживания как в платной клинике, без очередей». Место действия — офис врачей общей практики в Костроме. За последний месяц здесь открылся уже пятый такой медицинский центр и шестой – на очереди. Все – в самых густонаселенных районах, где участковых врачей не хватает. Как театр начинается с вешалки, визит к врачу лежит через регистратуру. Здесь не увидишь привычного маленького окошка и очереди за талонами на прием, которую приходится занимать чуть ли не с пяти утра. Не секрет, что именно такой, мягко говоря, нетеплый прием многих отталкивает от посещения районной поликлиники. В офисе врачей общей практики все иначе – на стойке регистрации пациента встретят как дорогого гостя, выдадут бесплатные, надо заметить, бахилы и проводят к доктору. Такое скопление людей здесь — скорее исключение из правил. На открытие очередного центра пришли десятки жителей окрестных домов. Помимо врача широкого профиля, который поможет вне зависимости от возраста и заболевания, прием в новых центрах ведут и узкие специалисты. Есть процедурный кабинет, дневной стационар, можно пройти УЗИ и снять кардиограмму. Для особо сложных случаев – кабинет телемедицины, с помощью видеосвязи можно проконсультироваться у ведущих специалистов страны. И теперь главное: такой центр врачей общей практики — организация частная! Только платит ей за работу не пациент (ему достаточно предъявить всего лишь полис и паспорт), а Фонд обязательного медицинского страхования. ЗАРАБОТАЙ НА СВОЕМ КАНАЛЕ: http://goo.gl/eGHhyv
Просмотров: 243 НОВАЯ ВЕСТЬ
Коллекторы. СЛАБОНЕРВНЫМ НЕ СМОТРЕТЬ!!!
 
01:51
Ссылка на страницу с регистрацией: https://lk.sergey-mavrodi.com/mmm/ref/aazhmy:at:gmail.com там наводите курсор на «Лотерею» и регистрируетесь по инвайту: YOU 20$ и ВИДЕОРОЛИК (лично от меня) для привлечения новых участников в ПОДАРОК Ваши! Помогу вступить в лучшую десятку. ОТ 10% до 30% в МЕСЯЦ, зарабатывайте вместе с нами! После регистрации пишите мне на: mmmfeniks@gmail.com я расскажу вам как приобрести мавро и отвечу на другие вопросы.
Просмотров: 9491229 Александр Иволгин
Закон о Полиции. Статья 13. Права полиции
 
25:48
Задать вопрос юристу здесь http://juruslugi.rukak.ru/ Звоните, или, пишите нам ПРЯМО СЕЙЧАС! Юридическая консультация по телефону в Москве 8 (499) 638-44-96 доб. 689 Юридическая консультация по телефону в Питере 8 (812) 309-52-81 доб. 273 Юридическая консультация по телефону по всей России 8 (800) 333-45-16 доб. 127 Мы работаем круглосуточно онлайн и по телефону. Подписывайтесь на наш канал https://www.youtube.com/channel/UCPGpqtIU9KatsE5op9R5ISw?sub_confirmation=1 Статья 13. Права полиции 1. Полиции для выполнения возложенных на нее обязанностей предоставляются следующие права: 1) требовать от граждан и должностных лиц прекращения противоправных действий, а равно действий, препятствующих законной деятельности государственных и муниципальных органов, депутатов законодательных (представительных) органов государственной власти, депутатов представительных органов муниципальных образований, членов избирательных комиссий, комиссий референдума, а также деятельности общественных объединений; 2) проверять документы, удостоверяющие личность граждан, если имеются данные, дающие основания подозревать их в совершении преступления или полагать, что они находятся в розыске, либо если имеется повод к возбуждению в отношении этих граждан дела об административном правонарушении, а равно если имеются основания для их задержания в случаях, предусмотренных федеральным законом; проверять у граждан, должностных лиц, общественных объединений и организаций разрешения (лицензии) и иные документы на совершение определенных действий или на осуществление определенного вида деятельности, контроль (надзор) за которыми возложен на полицию в соответствии с законодательством Российской Федерации; 3) вызывать в полицию граждан и должностных лиц по расследуемым уголовным делам и находящимся в производстве делам об административных правонарушениях, а также в связи с проверкой зарегистрированных в установленном порядке заявлений и сообщений о преступлениях, об административных правонарушениях, о происшествиях, разрешение которых отнесено к компетенции полиции; получать по таким делам, материалам, заявлениям и сообщениям, в том числе по поручениям следователя и дознавателя, необходимые объяснения, справки, документы (их копии); подвергать приводу в полицию в случаях и порядке, предусмотренных федеральным законом, граждан и должностных лиц, уклоняющихся без уважительных причин от явки по вызову; 4) в связи с расследуемыми уголовными делами и находящимися в производстве делами об административных правонарушениях, а также в связи с проверкой зарегистрированных в установленном порядке заявлений и сообщений о преступлениях, об административных правонарушениях
Просмотров: 1582 Законы и Кодексы РФ
Die Deutschen werden zur Minderheit im eigenen Land
 
38:46
http://wahrheitfuerdeutschland.info http://wahrheitfuerdeutschland.com-123.com https://www.youtube.com/user/wahrheitdeutschland1 „Die Deutschen werden zur Minderheit im eigenen Land!“ Max Otte im Gespräch mit Jost Bauch. --- Jost Bauch schloss sein Studium an der Universität Bielefeld als Diplom-Soziologe ab, wurde dort promoviert (Gutachter Niklas Luhmann) und 1996 mit der Schrift Gesundheit als sozialer Code an der Sozialwissenschaftlichen Fakultät der Universität Konstanz habilitiert (Gutachter Horst Baier). Bis 2008 lehrte er an der Hochschule Neubrandenburg. Er war apl. Professor an der Universität Konstanz. Weil er sich als Soziologe im öffentlichen Diskurs zu aktuellen Themen wie dem demographischen Wandel und der Einwanderungs­politik in der Wochen­zeitschrift Junge Freiheit und im Internet-TV-Sender secret.tv äußerte, wurde er im Februar 2010 laut Beschluss einer Vollversammlung der Konstanzer Studentenschaft als akademischer Lehrer abgelehnt. Die Universitäts­leitung sah jedoch keine Möglichkeit, ihm die Lehrbefugnis zu entziehen. Bauch ist neben Harald Seubert und Karl Albrecht Schachtschneider Mitglied des Präsidiums des Studienzentrum Weikersheim. Wahrheit über Souveränität in der BRD Es reicht jetzt. Wenn nicht jetzt, wann dann? Sie denken jetzt sicherlich. Soll das ein Witz sein? Nein es ist bittere Realität. Wenn Recht zu Unrecht wird wird Widerstand zur Pflicht!!!! http://wahrheitfuerdeutschland.info http://wahrheitfuerdeutschland.com-123.com https://www.youtube.com/user/wahrheitdeutschland1 https://www.pinterest.com/search/pins/?q=Besetztes Deutschland[WIKI_Souveränität https://www.webmd.com/search/search_results/default.aspx?query=Besetztes Deutschland[WIKI_Souveränität https://twitter.com/search?q=Besetztes Deutschland[WIKI_Souveränität https://www.youtube.com/watch?v=m1QFLVEy884 #Wahrheit #BRD #Souveränität #DeutschesReich #Staatssimulation #Deutschland #Wirtschaftsgebiet #Polizeistaat #Unterdrückung #Rechtsbankrott #StillstandderRechtspflege #Friedensvertrag #MaxOtte #JostBauch Wahrheit,BRD,Souveränität,Deutsches Reich,Staatssimulation,Deutschland,Wirtschaftsgebiet,Polizeistaat,Unterdrückung,Rechtsbankrott,Stillstand der Rechtspflege,Friedensvertrag,klagemauerTV,besetztes Deutschland,Souveränität,Deutsches Reich,Staatssimulation,Deutschland,Wirtschaftsgebiet,Polizeistaat,Unterdrückung,Rechtsbankrott,Stillstand der Rechtspflege,Friedensvertrag,Max Otte,Jost Bauch,Die Deutschen werden zur Minderheit im eigenen Land Translated titles: Los alemanes se convierten en una minoría en su propio país Les Allemands deviennent une minorité dans leur propre pays जर्मन अपने देश में अल्पसंख्यक बन जाते The Germans become a minority in their own country 德国人在自己国家的少数 ドイツ人は自分の国では少数派です Niemcy stają się mniejszością we własnym kraju Немцы становятся меньшинством в своей собственной стр Almanlar kendi ülkelerinde azınlık haline geliyor
Просмотров: 96 Wahrheit fuer Deutschland
SAVING 10,000 - Winning a War on Suicide in Japan - 自殺者1万人を救う戦い - Japanese Documentary
 
51:56
Each year, close to 30,000 people commit suicide in Japan. Over the years, the Japanese government and corporations have tried various methods to lower the suicide rate but Japan continues to have one of the highest suicide rates in the world. SAVING 10,000 is a documentary that takes a deeper look at the serious problem of suicide in Japan, its causes, its repercussions, and what people are trying to do about it. SAVING 10,000 - 自殺者1万人を救う戦い Selected in Japan Times "Top 10 Movies of 2013" - Nominated for 14 film festival awards - Screened at Japanese Parliament - Used in Government's 2013 Suicide Prevention Campaign - Grassroots screenings all around Japan. Over 50 media interviews done. Official site is: http://www.Saving10000.com In a war on suicide, who is the enemy? 'Saving 10,000' is the story of an Irishman's personal passion to uncover the true causes of the high suicide rate in Japan. With the help of front-line experts and ordinary Japanese, many touched by the horror of suicide, the movie delivers practical proposals on how Japan can win a war on suicide. However with suicide such a taboo, the odds are nobody will listen. Or will they? 自殺との戦いにおいて、「敵」はいったい誰なのか。映画『Saving 10,000 - 自殺者1万人を救う戦い』は、日本の高い自殺率の真の原因究明に挑む一人のアイルラン­ド人の物語である。作品を通じて、日本のマスコミによる自殺報道のあり方、経済的圧力­、うまく機能していない精神医療制度などの重要な問題が浮かび上がってくる。第一線で­活躍する専門家から一般人まで、約100人へ取材し、日本がどうすれば自殺との戦いに­勝利できるのか、具体的な方策を提示している。しかし、自殺の話題がタブー視されてい­る日本で、一体どのくらいの人が耳を傾けてくれるのだろうか。 If you are suicidal, or know someone that is, please contact either Inochi no Denwa, or TELL -- Tokyo English Life Line, for support and recommendations on how to deal with it. Depression and suicide is a very serious issue, and should not be ignored. Please, seek help. You can find the sites here: http://www.telljp.com/ www.indt.jp/ Throughout the documentary interviews are conducted with various people connected to suicide, everything from authors, journalists, police, health care workers, and more. As we delve deeper into the reasons behind this phenomenon in Japan, we see that while it may be a complex topic, the reasons are often not hard to grasp. So why is no one doing anything? Well, people are, but is it enough? The problem of suicide in Japan is big enough, that Wikipedia has an entire page dedicated to just that issue. "Suicide in Japan has become a significant national social issue. Japan has a relatively high suicide rate, but the number of suicides is declining and has been under 30,000 for 2 consecutive years. It is the leading cause of death in men aged 20--44. Factors in suicide include unemployment, depression, and social pressures. In 2007, the National Police Agency revised the categorization of motives for suicide into a division of 50 reasons with up to three reasons listed for each suicide. Suicides traced to losing jobs surged 65.3 percent while those attributed to hardships in life increased 34.3 percent. Depression remained at the top of the list for the third year in a row, rising 7.1 percent from the previous year. There has been a rapid increase in suicides since the 1990s. For example, 1998 saw a 34.7% increase over the previous year. This has prompted the Japanese government to react by increasing funding to treat the causes of suicide and those recovering from failed suicides." You can read more at: http://en.wikipedia.org/wiki/Suicide_in_Japan If you are interested in other documentaries about suicide in Japan, you can also have a look at the documentary posted here: "Secret Life of Japan" https://www.youtube.com/watch?v=tFud9pqqdHg Journeyman Pictures, also has a good documentary on this issue. It focuses on the frightening concept of child suicide in Japan, often the result of bullying and the harsh discipline employed in Japanese schools. It's called "Japan child suicide epidemic driven by school discipline" and can be found here: https://www.youtube.com/watch?v=-XX30-Ez8xg We thank you for watching this, and hope that you have learned more about these serious social issues in Japan. If you, or someone you know, is depressed or suicidal, please seek appropriate help before it's too late. Suicide is never the answer.
Просмотров: 576254 Boomachine
3000+ Common English Words with British Pronunciation
 
01:19:28
​‌‍‎ 3143 most frequent english words with british sound, randomly presented. Knowing this vocabulary will permit you to understand at least 85% of any written or spoken english text. American english version: https://www.youtube.com/watch?v=hrGBjXPkYF4 The list of words is available here: http://pastebin.com/AUz67vRQ (same order as in the video). *** NEW *** 2015-12-03 - Translations available as subtitles in 35+ languages! Enable the captions using the CC button and then choose your language in the settings menu. Do you need a language not listed here? Just leave a comment and I will create it! == ES == 3143 palabras comunes en inglés con su respectiva pronunciación con acento británico, presentadas aleatoriamente. Conocer estos términos permite comprender al menos el 85% de cualquier texto en inglés, ya sea escrito u oral. == FR == 3143 mots le plus fréquents en anglais avec leur prononciation britannique respective, présentés aléatoirement. La connaissance de ces mots vous permettra de comprendre au moins 85% de tout texte en anglais, oral ou écrit. __________ Have you found this video helpful? Any comment or suggestion is welcome! Video created using python + moviepy
Просмотров: 272219 feqwix
Calling All Cars: Artful Dodgers / Murder on the Left / The Embroidered Slip
 
01:28:21
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 156985 Remember This
Suspense: Summer Night / Deep Into Darkness / Yellow Wallpaper
 
01:30:48
Psychological thriller: In which (until the often violent resolution) the conflict between the main characters is mental and emotional, rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to resolve. Characters are not reliant on physical strength to overcome their brutish enemies, but rather are reliant on their mental resources, whether it be by battling wits with a formidable opponent or by battling for equilibrium in the character's own mind. At times, the characters attempt solving, or are involved in, a mystery. The suspense created by psychological thrillers often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.[37] The Alfred Hitchcock films Suspicion, Shadow of a Doubt, and Strangers on a Train and David Lynch's bizarre and influential Blue Velvet are notable examples of the type, as are The Talented Mr. Ripley, The Machinist, Don't Say A Word,[38] House of 9, Trapped, Flightplan, Shutter Island, Secret Window, Identity, Red Eye,[39] Phone Booth, Psycho, The River Wild,[40] Nick of Time,[41] P2,[42] Breakdown, Panic Room,[43] Misery, Straw Dogs and its remake, Cape Fear, The Collector, Frailty,[44] The Good Son and Funny Games.[45] Spy thriller: In which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre usually deals with the subject of fictional espionage in a realistic way (such as the adaptations of John Le Carré). It is a significant aspect of British cinema,[46] with leading British directors such as Alfred Hitchcock and Carol Reed making notable contributions and many films set in the British Secret Service. The spy film usually fuses the action and science fiction genres, however, some spy films fall safely in the action genre rather than thriller (e.i. James Bond), especially those having frequent shootouts, car chases and such (see the spy entry in the subgenres of action film).[47] Thrillers within this subgenre include Spy Game, Hanna, Traitor, Tinker Tailor Soldier Spy, The Tourist, The Parallax View, The Tailor of Panama, Taken, Unknown, The Recruit, The Debt, The Good Shepherd and Three Days of the Condor.[3] Supernatural thriller: In which the film brings in an otherworldly element (such as fantasy and/or the supernatural) mixed with tension, suspense and plot twists. Sometimes the protagonist and/or villain has some psychic ability and superpowers. Examples include, Lady in the Water, Fallen,[48] Frequency, Next, Knowing, In Dreams,[49] Flatliners, Jacob's Ladder, Chronicle,[50] The Skeleton Key,[51] What Lies Beneath, Unbreakable, The Gift,[52] and The Dead Zone. Techno thriller: A suspense film in which the manipulation of sophisticated technology plays a prominent part. There is a bit of action and science fiction.[53] Examples include The Thirteenth Floor, Jurassic Park, I, Robot, Eagle Eye, Hackers, The Net, Futureworld, eXistenZ and Virtuosity. Legal thriller: A suspense film in which in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include, The Pelican Brief, Presumed Innocent, The Jury, The Kappa File, The Lincoln Lawyer, Hostile Witness and Silent Witness. http://en.wikipedia.org/wiki/Thriller_%28genre%29
Просмотров: 120472 Remember This
The CIA's Covert Operations: Afghanistan, Cambodia, Nicaragua, El Salvador
 
51:22
A 2002 article by Michael Rubin stated that in the wake of the Iranian Revolution, the United States sought rapprochement with the Afghan government—a prospect that the USSR found unacceptable due to the weakening Soviet leverage over the regime. Thus, the Soviets intervened to preserve their influence in the country. According to Vance's close aide Marshall Shulman "the State Department worked hard to dissuade the Soviets from invading." In February 1979, U.S. Ambassador Adolph "Spike" Dubs was murdered in Kabul after Afghan security forces burst in on his kidnappers. The U.S. then reduced bilateral assistance and terminated a small military training program. All remaining assistance agreements were ended after the Soviet invasion of Afghanistan. Following the Soviet invasion, the United States supported diplomatic efforts to achieve a Soviet withdrawal. In addition, generous U.S. contributions to the refugee program in Pakistan played a major part in efforts to assist Afghan refugees. Brzezinski, known for his hardline policies on the Soviet Union, initiated in 1979 a campaign supporting mujaheddin in Pakistan and Afghanistan, which were run by Pakistani security services with financial support from the Central Intelligence Agency and Britain's MI6. This policy had the explicit aim of promoting radical Islamist and anti-Communist forces. Bob Gates, in his book Out Of The Shadows, wrote that Pakistan had been pressuring the United States for arms to aid the rebels for years, but that the Carter administration refused in the hope of finding a diplomatic solution to avoid war. Brzezinski seemed to have been in favor of the provision of arms to the rebels, while Vance's State Department, seeking a peaceful settlement, publicly accused Brzezinski of seeking to "revive" the Cold War. Brzezinski has stated that the United States provided communications equipment and limited financial aid to the mujahideen prior to the "formal" invasion, but only in response to the Soviet deployment of forces to Afghanistan and the 1978 coup, and with the intention of preventing further Soviet encroachment in the region. Milt Bearden wrote in The Main Enemy that Brzezinski, in 1980, secured an agreement from King Khalid of Saudi Arabia to match U.S. contributions to the Afghan effort dollar for dollar and that Bill Casey would keep that agreement going through the Reagan administration. The Soviet invasion and occupation resulted in the deaths of as many as 2 million Afghans. In 2010, Brzezinski defended the arming of the rebels in response, saying that it "was quite important in hastening the end of the conflict," thereby saving the lives of thousands of Afghans, but "not in deciding the conflict, because....even though we helped the mujaheddin, they would have continued fighting without our help, because they were also getting a lot of money from the Persian Gulf and the Arab states, and they weren't going to quit. They didn't decide to fight because we urged them to. They're fighters, and they prefer to be independent. They just happen to have a curious complex: they don't like foreigners with guns in their country. And they were going to fight the Soviets. Giving them weapons was a very important forward step in defeating the Soviets, and that's all to the good as far as I'm concerned." When he was asked if he thought it was the right decision in retrospect (given the Taliban's subsequent rise to power), he said: "Which decision? For the Soviets to go in? The decision was the Soviets', and they went in. The Afghans would have resisted anyway, and they were resisting. I just told you: in my view, the Afghans would have prevailed in the end anyway, 'cause they had access to money, they had access to weapons, and they had the will to fight." Likewise; Charlie Wilson said: "The U.S. had nothing whatsoever to do with these people's decision to fight ... but we'll be damned by history if we let them fight with stones." http://en.wikipedia.org/wiki/CIA_activities_in_Afghanistan
Просмотров: 116387 The Film Archives
COILS
 
04:15:31
фантастический сказка декламация lecture 童話 朗読
Просмотров: 2647 TALES
Suspense: Fear Paints a Picture / Reprieve / Two Birds with One Stone
 
01:30:00
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors. The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 18516 Remember This
Calling All Cars: Whistling Snowbirds / The Laughing Killer / Tortured Extortionists
 
01:28:22
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 8167 Remember This
Words at War: Barriers Down / Camp Follower / The Guys on the Ground
 
01:28:33
Alfred Friendly (December 30, 1911 -- November 7, 1983) was an American journalist, editor and writer for the Washington Post. He began his career as a reporter with the Post in 1939 and became Managing Editor in 1955. In 1967 he covered the Mideast War for the Post in a series of articles for which he won the Pulitzer Prize for International Reporting in 1968. He is credited with bringing the Post from being a local paper to having a position of national prominence. Friendly was born in Salt Lake City. After graduating in from Amherst College in 1933, he came to Washington, DC to look for work. A former professor who worked in the Commerce Department hired him, but his appointment to a high position at such a young age earned him criticism in the press and he resigned. For the next year he travelled the country in the middle of the Depression, eventually returning to become a reporter at the Washington Daily News, writing a column for government employees. Less than two years later he was hired to write the same kind of column for the Post, where he was soon assigned to cover war mobilization efforts and anti-war strikes. When World War II broke out he entered the Army Air Force, rising to the rank of Major before leaving in 1945. While in the military he was involved in cryptography and intelligence operations, finally becoming the second in command at Bletchley Park, and the highest ranking American officer there. After the war he remained in Europe as press aide to W. Averell Harriman supervisor of the Marshall Plan. A year later he returned to Washington and to the Post, where he became assistant managing editor in 1952 and managing editor in 1955. In 1966 he became an associate editor and a foreign correspondent based out of London. Hearing rumors of war in 1967 he headed to the Middle East where he was present throughout the 1967 War and wrote his series of award winning articles. He retired from the Post in 1971, though he continued writing occasional editorials and book reviews. During his retirement he wrote several books, and after his death the Alfred Friendly Foundation was established. It administers the Alfred Friendly Press Fellowships to bring foreign journalists to the United States for internships at prominent newspapers. The Archives and Special Collections at Amherst College holds a collection of his papers. http://en.wikipedia.org/wiki/Alfred_Friendly
Просмотров: 148526 Remember This
Our Miss Brooks: First Day / Weekend at Crystal Lake / Surprise Birthday Party / Football Game
 
01:50:17
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Просмотров: 75863 Remember This
Calling All Cars: Alibi / Broken Xylophone / Manila Envelopes
 
01:27:52
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 72107 Remember This
Things Mr. Welch is No Longer Allowed to do in a RPG #1-2450 Reading Compilation
 
03:19:57
A list of things that Mister Welch is no long allowed to do in a tabletop rpg game. From Dungeons and dragons, call of cthulu, Pathfinder, Star Wars, and many other tabletop games and modules! 2450 entries in all! If you wish to see more from Eastside Show SCP (Eastside Steve), be sure to subscribe today for the latest videos! https://goo.gl/KekHSK The complete reading compilation of "Things Mr. Welch is No Longer Allowed to do in a RPG" numbers 1-2540! Enjoy the insanity, featuring RPG loop holes, insanity, and all sorts of table top shenanigans! Read along with me! ♣Read along: http://theglen.livejournal.com/389635.html TVtropes page: http://tvtropes.org/pmwiki/pmwiki.php/Blog/ThingsMrWelchIsNoLongerAllowedToDoInAnRPG "Pixel Peeker Polka - slower" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Просмотров: 146978 The Eastside Show
Suspense: Mister Markham, Antique Dealer / The ABC Murders / Sorry, Wrong Number - East Coast
 
01:30:16
One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theater of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 are extant. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 69536 Remember This
The Great Gildersleeve: Gildy Gives Up Cigars / Income Tax Audit / Gildy the Rat
 
01:29:30
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 80945 Remember This
Dragnet: Claude Jimmerson, Child Killer / Big Girl / Big Grifter
 
01:27:59
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Просмотров: 58586 Remember This
3000+ Common English Words with Pronunciation
 
01:09:26
​‌‍‎ 3134 most frequent english words with sound (american pronunciation), randomly presented. Knowing this vocabulary will permit you to understand at least 85% of any written or spoken english text. • TRANSLATIONS AS SUBTITLES Enable the captions clicking the CC button and then choose a language from the settings menu! If you want a translation for a not available language just ask for it! • ADDITIONAL MATERIAL Word list (sorted alphabetically): http://pastebin.com/LRZvgcf8 Word list (sorted as in the video): http://pastebin.com/AfHNeBVf British pronunciation version: https://www.youtube.com/watch?v=FQzinFwvtv4 == ES == 3134 palabras comunes en inglés con su respectiva pronunciación, presentadas aleatoriamente. Conocer estos términos permite comprender al menos el 85% de cualquier texto en inglés, ya sea escrito u oral. == FR == 3134 mots le plus fréquents en anglais avec leur prononciation respective, présentés aléatoirement. La connaissance de ces mots vous permettra de comprendre au moins 85% de tout texte en anglais, oral ou écrit. __________ Have you found this video helpful? Any comment or suggestion is welcome! Video created using python + moviepy
Просмотров: 500864 feqwix